Singaporean artist Robert Zhao Renhui has made waves at this year’s Venice Biennale by bringing the likeness of an entire forest to his exhibition. The Venice Biennale, often referred to as the “Olympics of the art world,” is a prestigious event that sees the participation of scores of international artists. Let’s delve into the fascinating story behind Zhao’s work, titled “Seeing Forest,” which has captivated audiences in Italy.
The Mysterious Forest: A Blend of Fantasy and Reality
Zhao’s exhibition features a “mysterious, forested zone” that is both rooted in fantasy and connected to a real woodland area in Bukit Panjang, Singapore. This unique forest, which Zhao refers to as a “secondary forest,” has been shaped by human activities over time. It might have once been a colonial military barrack, a rubber plantation, or even a village. Eventually, the land was abandoned, and nature reclaimed it, resulting in the growth of this secondary forest.
Exploring Urban Design and Natural World
“Seeing Forest” is the culmination of Zhao’s decades-long study of secondary forests. Collaborating with South Korean curator Haeju Kim, Zhao explores the intricate relationship between urban design and the natural world. The exhibition delves into how urban spaces shape ecosystems and vice versa. As a result, a new ecosystem emerges—one that reflects the histories and trajectories of humankind.
The Singapore Pavilion: A Whimsical Setting
The Singapore Pavilion, where Zhao’s exhibition is hosted, sits within the Arsenale complex. Originally an open area, the exhibition space was reimagined with walls to create a more intimate setting. Visitors stepping into Zhao’s physical actualization of the whimsical forest encounter a gloaming typical of jungles canopied by heavy foliage. The juxtaposition of this lush greenery against the historical backdrop of Venice creates a captivating experience for art enthusiasts.
A Forest Across Continents
Zhao’s work transcends geographical boundaries. By bringing a piece of Bukit Panjang’s forest to the Venice Biennale, he invites viewers to contemplate the interconnectedness of nature, culture, and human intervention. The secondary forest becomes a symbol of resilience, adaptation, and transformation—a testament to the power of art to bridge gaps and evoke wonder.
The Venice Biennale runs until November 24, providing ample time for visitors to immerse themselves in the world of “Seeing Forest” and explore the rich tapestry of artistic expression from around the globe. You can also watch a video interview with Robert Zhao Renhui about his work at the Singapore Pavilion here.
